I’m a bit loath to post another article on something to do with the Bible, after the flood of mostly offensive, illiterate and incomprehensible emails I got the last time I posted on the subject. However, needs must, and I think this is remarkable enough to post on. Researchers at Israel’s Institute of Technology, Technion, have enscribed the entire Hebrew Bible onto a silicon surface smaller than the head of a pin.
I could quip that, of course, the kerning’s all wrong but I suspect these letters were created by a process akin to dot-matrix printing. I think it’s amazing. Beat that, microfilm!
One of those old images I’ve had around for a while found here (I think). I saved it because of the interesting script lettering (extracted on the right). It’s bloody hard to read (even if you can read German) and yet it’s really attractive. Maybe for a native Swiss German speaker it’s easier to read?
Update:Steffen wrote to tell me that this is Sütterlin script, and sent the Wikipedia entry on it. Thank you! From Wikipedia:
Sütterlinschrift (Sütterlin script), or Sütterlin for short, is the last widely used form of the old German blackletter handwriting (“Spitzschrift”). In Germany, the old German cursive script developed in the 16th century is also sometimes called Fraktur. ... The beautiful version that Sütterlin developed was taught in German schools from 1935 to 1941.
The full image below (top left) and a few others I rather like from the set.
In 1997 the British Library moved to its new building in St Pancras, which I remember reading was designed to roughly resemble a stack of books. Very roughly. It seems that other libraries had a similar idea but decided to be less abstract, much less abstract.
First off, Cardiff Public Library, which has built this (unfortunately) temporary covering for the building until it’s completed. I partly agree with the sentiments here (where I got the images) that the installation should be permanent, but that the books should change. I’m sure book publishers could provide the panels, both advertising the book (should people want to buy it) and the library (if they want to borrow it). It’s interesting how the books are all modern bestsellers, I’ll get to that later.
Then there’s the Kansas City Public Library, where the installation is permanent, on a much larger scale, and is designed to conceal the library’s car park. Here the public were asked to nominate books that they felt represented Kansas City. I’m not sure how Lord of the Rings meets that criteria, and I’m sure the last time I read Romeo and Juliet it wasn’t set in the mid-west, but there’s a hell of a lot I don’t know about Kansas City so I’m sure there’s a perfectly valid set of connections there. Mind you, notice here that all the books are great works, classics, high points of Western literature, which is a bit of a contrast with the Cardiff choices.
Now, I have some entirely unsubstantiated wild guesses about why this might be. I could suggest that the Cardiff Library is taking a deliberately populist stance, trying to make itself appear more relevant to “today’s busy Welshman and woman” and not as some ivory-tower isolated repository of dead knowledge. The British Press does tend to have a schizophrenic view of cultural establishments, either they’re lauding some wonderful new Establishment, preserving and restoring Great British Culture, or slagging off yet another white elephant, a waste of money, ignoring the sensible wishes of the Great British Public who Couldn’t Give A Toss.
The Kansas Library on the other hand, like other American city libraries, is likely to be regarded as an educational institution in its own right and an asset, worthy of city pride. Not forgetting that educational institutions in the US are big business, I would hazard a guess that city residents would have some pride invested in their city having a big library, it shows an educated population, and an educated population must have been able to afford college, so Kansas City must be a prosperous place indeed, well worth investing in. So they pick great works, because they represent learning and achievement better than books you could pick up at the checkout line at Wal-Mart.
Oh, and I’d just like to say that philosophical musings aside, I think both of these are bloody marvellous, and we should see more of this kind of thing.
Discovered over on Fubiz, this beautiful animation from zero to ten using imagery from the arts of bonsai and ikebana. This really is a beautiful short film, and it reminded me of something I’d seen before, so a little bit of checking through my saved files and links I realise I saw some of the preparatory work on artless. In fact, I wrote about it here. The artwork is by Shun Kawakami, Illustration, Suibokuga, Drawing by Tadashi Ura and the photography (?) by Taisuke Koyama
The first picture here is from artless, the remainder are stills from the animation.
I’m getting fed up of Flickr. Does no-one write about the things they’ve seen anymore? Do they not care about how their images are presented? There are no narratives on Flickr, it’s a bucket full of photos with comments scrawled on them, using tags as a substitute for context and a sovietised interface as a feeble analogue for the blank gallery wall. I read on Kottke of the Tobias Frere-Jones Typographic Tour of Manhattan, with links to photos as ‘set 1’, ‘set 2’ etc. With a groan in my heart I clicked in full anticipation of yet another soulless grid of brutally-cropped thumbnails, and lo! there they were. Browsing this site is like Corbis Images in the early 2000s - the photos are subservient to a forbidding interface built to remind you that this isn’t a site to celebrate photography, but to make it conform to a catalogue. But what’s this? ‘Set 4’ is not Flickr! It’s an actual blog, with words and everything! No vile blue-with-pink vowel-less logos here! OK, it’s plain old Blogger, but it’s a sign of how things are going with presenting photos of things that even Blogger can seem exotic and challenging!
Yes, I know that many people don’t have the time, patience, resources and skills to set up their own photoblog, but there are plenty of blogging services out there, including some designed for photoblogs specifically! Break out from the Flickr mindset, please.
This Flickr set has some great images of the 1923 ATF Specimen Book. Later in the set are some wonderful images from other sources, including the one at right which is great - can’t beat blackletter and, er, pinkletter. I’m liking the monograms too, which you can see on the original set here.
I’ve recently taken to adding the urls of images to spotlight comments so that I don’t get the situation that I have right now, where I don’t know where I found an image. All I remember is that this one was on a portfolio site, and another of the images was a web design for ON KAPLAN and had an image of Marilyn Monroe in the background. How annoying that I can’t find it.
However, I love the design of this. It’s a fantastic composition, presumably for something to do with the Rialto song. Grr. I want to link to the site.
I was reading about Postopolis! on City of Sound, and came across a short writeup of Timescapes, a multimedia exhibition at the Museum of the City of New York (scroll down a bit). I love the design of this map (click for larger version) - looking closely I think that’s Eccentric 1 isn’t it? Until now, I’ve never seen that font used on anything that makes it look good. Here, it looks rather dignified. [Update] I actually think that it’s Democratica. I thought it was the freeware Eccentric because (sigh) that’s what a company I work with was using.
Also, while hunting for more examples of the work online, I realise that it’s usually museums who completely fail to show off their exhibits to any great effect. Looking at the official page on the museum’s site, would you be enticed to go see it? Where’s the gallery? I mean, it’s a multimedia piece, so putting a few screenshots of the thing online wouldn’t hurt them one little bit - you still have to go to the museum to get the full effect of it, and seeing some examples online might actually get you to go.
