Joseph at the Book Design Review posted his favourite book cover designs of 2008. There’s some good ones in there, and makes me think I don’t read nearly enough long-form writing. I particularly like the one for “Abraham Lincoln: Great American Historians on Our Sixteenth President”, but that might just be because it’s from the five dollar note and I like banknotes… As for the others, I want to see the original of that aerial view of Manhattan, and the other two are just nice images. Go and look at the others.
There are some great infographics here. There’s a video on gestalten.tv about their book project, Data Flow, and some documentation available here, in German. All good stuff.
I was having a look through Behance’s Typography Served website and found this. It looks like it’s in Jihad Lahham’s portfolio (well, I think it does) but on his site there’s a post with pics and nothing else about it. Need info!
ISO 50 posted about the Taschen book, “East German Design from 1949 - 1989”, with some photos of the inside. There’s a fantastic ‘z’ logo on the cigar box, which of course I had to trace. I’m thinking of getting the book, as East German design shows how creativity can flourish even when resources are limited, and as I found when writing this piece, the resources were often very limited indeed.

Found on ffffound a little while ago, this beautiful book cover. It reminds me of some books I used to have from the same era - I had a National Geographic book about all the massive engineering works being done in America in the early/mid 20th Century, from straightening and deepening the Mississippi to the building of the Hoover Dam. It was a bronze-coloured hardback with a big cross-section of the dam in white, and a plan of a canal cut across a loop of a river, in black, both embossed into the surface. I wish I still had it. Still, I’d only trace it as a vector like Our Friend The Atom, here:

Phillip Niemeyer of Double Triple kindly wrote to explain who that VA logo was for:
I checked my own photo archive of the archive and found the VA business card. VA stands for “Ike Vern & Associates, Photography”. Much of Lubalin’s great graphic work seems to have been simple jobs for small clients. I love that.
I posted the VA image, a tissue in Lubalin’s handwriting specing a logo, and a unique logo for the World Trade Center.
Phillip Niemeyer
Technically this is an update to this earlier post, but I wanted to create a new one because I rather like the Double Triple logo, at right - a mirrored ‘3’ in ITC Baskerville.
Peter Gabor’s gallery of Herb Lubalin’s work has been linked to from lots of places as the Tribute to Herbert Lubalin, and if you’ve not seen it yet, it’s worth a look. However, that’s just the gallery for a whole category of articles by Gabor about Lubalin, so that’s worth a look too (it’s all in French, mind). While the gallery does have plenty of great examples, the pages don’t have any background information or titles for any of the pieces of Lubalin’s work; it’s not so much of a tribute as a teaser, or a portfolio that really needs the artist there to explain each piece - at least to say what it was for.

Victoria and Albert logo, by Alan Fletcher, 1989.
The case in point for me is the ”VA” logo below. Who or what was it for? Searching for it online gives a list of everything Lubalin did in Virginia, but nothing that appears to explain this. It’s a mystery. And yes, it does remind me of the Victoria and Albert Museum logo by Alan Fletcher, at right.
Mysteries aside, I just like this one: