Seen on a trailer on Hallmark for ‘Intelligence’. Love that ‘g’. Using the amazing ‘What The Font’ tool on MyFonts I’ve identified this as Libel Suit.

Another one I had to do some clever re-Googling for. A while back I was sent a link to Si Scott’s portfolio site. Once you get past the mystery-meat navigation, you’re in for a treat.

You know that floral, bling style that’s been so popular lately that it’s rapidly becoming a cliché? Well, this guy is the master of it - so much so I wouldn’t lump him in with the rest of them. I think his work is too finely executed to be called a cliché. Check these out.

Found on KSTP Twin Cities News. I love that 5! So much so, I had to sketch it.

I recently rediscovered Mouneer Al-Shaárani’s work after trawling Google Images for the original of an image I had saved. His portfolio site has had (see update below) some wonderful examples of quite remarkable calligraphy on it. The three examples of his work below show some of what’s possible with Arabic calligraphy, which may well be unreadable, but is definitely beautiful.

It’s also worth checking this collection of anthropomorphic and zoomorphic calligraphy on this post on BibliOdyssey. I gather from reading around the subject that the idea of doing this may have come from the prohibition on creating images of animals - this isn’t a picture of the animal, it’s just a description of it, written down. Whether that’s true or not is open to interpretation, but it makes a nice story. Would that defence stand up in court, I wonder?

Update (May 2009): The portfolio site is now some crappy link-farming thing. Some of his work is available for sale on Artnet though.

The start of a new, much-needed category: Pictures Found Online. When it comes to browsing, I’m a bit of a magpie. Anything that I want to look at in more detail or inspires me, I grab a copy of it in case it disappears offline or I lose track of it. Unfortunately, over the years the latter concern has proved itself as I’ve lost track of where I found almost all of these things. To add to the confusion, some of them were sent to me by friends and relatives, “You might like this…” so I’ve even less chance of finding where they’re from. I’m going to put up examples of them as I go through my big stack of images, and hope that someone will point me to the original source (and allow me to give correct credit).

So yes, at right. A little label that has inspired a few titles and design treatments of mine over the years.

I read this article on BLDGBLOG a while back, and immediately wanted, yes wanted all of them. I’d sort of kept it in mind with thoughts of a few projects I wanted to do, but hadn’t really hunted down the books. Then, last night, a French colleague from work presented me with L’Archiviste! She’d bought it on a trip back to France, and obviously knows me quite well. Today I also bought this from Amazon.fr. Funny how I hadn’t even thought of that when I first came across it.

From Penny Arcade. I love the big serial number, and I also love the idea of a ping pong robot. Quoting the site:

So our ping pong games have not been going so well. We’ve taken steps recently to ensure that our future games go better. I don’t want to say too much right now but here’s a picture. This arrived yesterday morning.

Nice.

I’ve come across Penguin by Designers on a few sites now, and the cover intrigues me. I was discussing the grid used on Pelican Originals the other day, after seeing this post. I had thought that both sets of books used a fairly conventional grid, but assuming this cover is accurate, then the real one is more interesting.

I was looking at it, trying to work out how it’s built. I doubted that any part of it was entirely arbitrary so I’ve redrawn it, but having each line only drawn in an obvious relation to something that already exists. What results is a pretty much perfect copy of the existing grid, so unless I was just lucky, I guess this is how they made their grid. These are the gridlines - each one is illustrated in blue as it is introduced:

1. Divide the page in two, vertically
2. Draw the ‘right’ diagonal, across the page
3. Draw the ‘left’ diagonal across the page
4. Draw a line from the top right corner so that it intersects the ‘left’ diagonal at a right angle
5. At that intersection, draw a horizontal line across the page
6. Draw a line from where the line from step 1 meets the top of the page to where the line from step 4 meets the left edge
7. From the intersection of that line with the ‘left’ diagonal from step 3, draw a horizontal across the page
8. From the intersection of the lines from steps 3, 4 and 5, draw a vertical to the top of the page
9. Now draw a diagonal from the top left of the page to where the line from step 5 meets the right hand side of the page
10. Now draw a vertical from the line from step 5 to the top of the page so that it passes throught the intersection of the lines from steps 3 and 7
11. Now for a final horizontal across the full page, passing through the intersections of the lines from steps 6 and 9
12. Then draw a final vertical from the intersection of this line with the left diagonal from step 3. Then add your titles and publisher logo!

The sampler for Moderne Schwabacher

After reading this thread on Typophile about a new beer label I did a quick search for Hartwig Schrift (the original type for the label) and found this incredible site. It’s got a collection of resurrected blackletter types (and elsewhere, Pirate types!) some of which I’ve seen before, others which I’ve never seen, like Jaecker-Schrift. I love blackletter type anyway, and there are some real gems in there. The fonts themselves are of patchy quality, but if you’re after some beautiful letterforms to use in lettering or logo projects, it’s definitely the place to go.

Eth from Jaecker-Schrift

This capital Eth from Jaecker-Schrift for example is really quite compelling. The composition of the diacritic brings to (my) mind Suprematism, or Kandinsky - it’s that dot, almost like a full stop hidden in the character and balanced by the verticals - so perfect! As in the sampler on the page, I’d be tempted to use it as an ornamental ‘D’ as after all, it’s so ornamented it goes far beyond a normal Eth that you couldn’t tell the difference anyway. I’m also thinking of creating a set of similarly ornamented caps to use as cadels with the font. I have a thing for cadels too…

Files can be uploaded, it’s now all working just fine. Finally!

That was probably the biggest pain in the arse of any site I’ve ever had to get going. EE Core installed instantly, I’d got the templates all sorted out already locally (using MAMP, which is awesome) and then the database kept falling over for some reason.

I host with Supanames who are normally pretty damn good (I’ve recommended them to friends in fact) but they’ve beefed up their timewaster controls on support requests. Cue much tediousness of explaining that, yes, I have tried to access the site using a different browser, that I can get to the control panel and a completely new error from phpMyAdmin is hardly likely to be a browser caching issue… but hey. It’s now sorted. Turns out that the database was corrupted.

Sigh.

So. On with the type!